Iconic bikinis and swimwear in the history of cinema

Iconic bikinis and swimwear in the history of cinema

From the unforgettable bikini of Ursula Andress in “Agent 007 against Dr. No” to the prehistoric model of Rachel Welch in “A Million Years Ago” (“One Million Years BC”) passing by Bo Derek’s swimsuit in the film “10 “They are some of the iconic models that have created unforgettable scenes in the cinema.

In the history of cinema, the swimsuit has had a lot of power. Hollywood sets the trend. In the 30s Marlene Dietrich was seen with a two piece that caused a sensation.

A decade later, the swimsuits came into contact with the spectacular changing rooms of the movie mecca. The swimsuit gained strength and the halter neck models triumphed.

In the 1950s, the models were like a bra and a girdle fitted to the figure, they practically left no skin uncovered, it was used especially by ‘pin up’ girls and celluloid divas such as Grace Kelly or Liz Taylor.

The bikini arrived in 1947 with the French designer Jacques Heim. Brigitte Bardot was one of the first to wear it in the film “Manina, the girl in a bikini” (1952).

Since its appearance Brigitte Bardot has been linked to this piece, “despite the fact that Bardot had already appeared in sixteen films, this garment is considered to have launched his career”, explains Manie Fogg in the book “Fashion throughout history” (Blume) .

It is beautiful in “And God Created Woman” (1956). “He immediately created his image as a ‘sex kitten,’” adds Manie Fogg, who believes that Bardot symbolized “the post-war era of sexual freedom and permissiveness.”

Considered indecent and of doubtful taste at first, the bikini blushed the most conservative society of the time, and the Vatican declared it as “sinful”, but the cinema surrendered to this garment, it was commissioned to turn it into universal heritage thanks to divas like Rita Hayworth or Marilyn Monroe who looks like a fabulous red swimsuit in “How to marry a millionaire” (“How to Marry a Millionaire”). (1953).

If Elizabeth Taylor is spectacular with a simple and elegant white swimsuit in the film “Suddenly, the last summer” (“Suddenly, Last Summer”) (1959), she does not overlook Sue Lyon playing “Lolita” (1962) with a high waist bikini in orange tones, pamela and sunglasses.

Imborrable is the image of Ursula Andress in “Agent 007 against Dr. No” (1962), wearing palm hearts on the beach. That scene became so famous that it was even repeated 40 years later in “Die Another Day” (Die Another Day “) (2002), where Halle Berry wears a practically identical orange bikini, with knife included, a clear tribute to her predecessor.

Raquel Welch is still remembered with her somewhat wild outfit in “One million years ago” (“One Million Years BC”) (1966), more romantic and sweet is worn by Joan Blackman in “Love in Hawaii” (“Blue Hawaii “) (1961) where he appears alongside Elvis Preysler in a yellow swimsuit.

The mini macrame white model with a seventies aesthetic that Pam Grier wears in “Coffy” (1973) is timeless like Bo Derek’s swimsuit in the movie “10” (1979), a mythical model that this year reproduces the signature Ônne.

It does not overlook the bathroom piece that Brooke Shields wears in “The Blue Lake” (“The Blue Laggon”) (1980) nor the two pieces that Carrrie Fisher wears in the skin of Princess Leia that in “The Return of the Jedi “(” tar Wars: Episode VI – Return of the Jedi “) (1983).

In the 1990s, low-cut, high-leg swimsuits such as the one worn by Pamela Anderson “Los vigilantes de la Playa” (“Baywatch”), a design that became a world “sex-symbol” thanks to their racing By the sea.

Salma Hayek’s burgundy feathers and snake swimsuit included in “From Dusk Till Dawn” (1996) and the print worn by Gwyneth Paltrow in “Mr Ripley’s Talent” are also remembered from that time. (“The Talented Mr. Ripley”), designed by Ann Roth and Gary Jones who won the Oscar for best costumes in 1999.

Sexy and sporty is Angelina Jolie’s bikini in “Lara Croft: Tomb Raider” (2001), but the one that never goes out of style is the triangle model Demi Moore wears in “Charlie’s Angels: On the Edge” (“Charlie’s Angels: Full Throttle “) (2003).

Rachel McAdams’ “Halter” and “culotte” neckline retro ensemble in “Diario de Noa” (2004) also deserves a place among the bathing suits that have made film history.

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